Paul Cezanne's painting titled Still Life with Basket of Apples, 1890-4 illustrates a rendering of fruit displayed without respect to perspective and

Question

BlackTom AI · Accepted Answer

The question asks about Cézanne's Still Life with Basket of Apples and describes a rendering of fruit shown without respect to traditional perspective.
Option 1: impasto. While Cézanne did use thick brushstrokes in some works, impasto refers to the physical thickness of paint on the canvas. The description here emphasizes perspective treatment rather than brushwork texture, so this choice misses the core idea.
Option 2: expressionism. Expressionism focuses on conveying emotional experience over objective likeness, often with distorted forms. The scene in Cézanne’s still life is not primarily about expressing inner emotion; it’s about exploring form and perception, so this option misattributes the motivation.
Option 3: spatial ambiguities. This directly addresses how perspective is treated; Cézanne’s arrangement flattens or reinterprets space, creating ambiguity about depth and relative positions of objects. This matches the described lack of conventional perspective and is consistent with discussions of his still lifes.
Option 4: pointillism. Pointillism involves building color and form from distinct dots of pigment, a technique associated with Seurat and late 19th-century divisionism. Cézanne’s approach in this painting is not characterized by dotting; his brushwork is broader and more blocky, so this option is inaccurate.
Thus, the statement that best captures the described rendering is spatial ambiguities, as it highlights the unconventional handling of space and perspective in the painting.

Paul Cezanne's painting titled Still Life with Basket of Apples, 1890-4 illustrates a rendering of fruit displayed without respect to perspective and

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