The stage directions of Soyinka’s play indicate that music is to play an important role in the play. This music is

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The prompt asks about the role of music as indicated by stage directions in Soyinka’s play, and provides three answer choices to evaluate.
Option 1: 'primarily African (Nigerian-Yoruban) in origin.' This option narrows music to a single cultural origin. While Yoruban motifs and rhythms may indeed influence the musical landscape of Soyinka's work, stage directions in his plays typically signal a broader musical palette rather than a sole origin, so this option is too restrictive.
Option 2: 'primarily British and American in origin.' This choice seems inconsistent with Soyinka’s cultural context and thematic aims, which are rooted in Nigerian and African perspectives rather than a predominance of British and American musical sources. It ignores the local and diasporic influences that Soyinka often engages with and would misrepresent the play’s soundscape.
Option 3: 'a mix of African (Nigerian-Yoruban), American, Asian, and Greek musics.' This option reflects a diverse, cross-cultural approach, aligning with Soyinka's reputation for integrating various musical textures to enhance rhythm, symbolism, and theatrical meaning. The stage directions commonly call for a heterogeneous sound world that signals different cultural layers and influences, supporting the idea of a blended soundtrack rather than a single or narrow origin.
Overall, each option presents a distinct view of where the music might come from. The first leans toward a single African subculture, the second toward Western sources, and the third embraces a wide, eclectic mix. The orchestration described in the directions is most consistent with a blended, multi-origin musical framework that underlines thematic complexity and intercultural dialogue in the play.

COM LIT 60A LEC A: WOR... Reading Comprehension Quiz #9 on Soyinka, The Bacchae of Euripides. A Communion Rite

The stage directions of Soyinka’s play indicate that music is to play an important role in the play. This music is

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