Michelangelo's figure of the David sculpted 1501-1504 is different from other versions by Donatello and Vercocchio because it ...

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The question asks how Michelangelo's David (1501–1504) differs from the versions by Donatello and Verrocchio.
Option 1: 'takes place before the battle with Goliath.' While the biblical story has a sequence, the sculptures convey different moments and compositions. Donatello’s David is depicted after the victory with a relaxed, heroic pose, and Verrocchio’s is also a dynamic moment; Michelangelo’s piece emphasizes idealized form and anatomically rendered tension rather than a specific narrative moment. This option does not reliably capture the core stylistic difference.
Option 2: 'was made for patrons in Florence.' Although all three works were connected to Florentine patrons or public display, this phrase does not distinguish Michelangelo’s piece from the others; Donatello’s and Verrocchio’s Davids were also made for Florentine contexts. Therefore this is not a unique distinguishing feature.
Option 3: 'is three-dimensional rather than a relief sculpture.' All three Davids are full three-dimensional freestanding statues, not reliefs. Describing Michelangelo’s work as three-dimensional would apply to the others as well, so this is not a meaningful difference.
Option 4: 'shows him in the nude.' This is the crucial distinguishing feature: Michelangelo’s David is renowned for its full nude state, presenting an idealized, anatomically developed male figure in a classical contrapposto pose. Donatello’s David is nude but much earlier and typically interpreted differently in terms of style and scale, while Verrocchio’s version is also nude but the notable contrast lies in Michelangelo’s advanced anatomy, scale, and Renaissance idealization. The nude presentation is the simplest and most direct point of difference highlighted in comparing these works.

Art History Renaissance-Modern Midterm 1

Michelangelo's figure of the David sculpted 1501-1504 is different from other versions by Donatello and Vercocchio because it ...

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