题目
题目

25/FA AHD-1010-2CD Quiz | Mannerism

单项选择题

In this painting by Parmigianino, the Madonna and Child foreshadow...

选项
A.the Pieta
B.the Resurrection
C.the Entombment
D.the Adoration of the Magi
题目图片
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标准答案
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思路分析
Re-expressing the prompt: In this painting by Parmigianino, the Madonna and Child foreshadow... Option A: the Pieta. This choice is supported by the visual cue of the Madonna cradling the infant in a manner that anticipates how Mary is often shown with Christ laid across her lap in a Pieta composition, highlighting themes of materna......Login to view full explanation

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类似问题

True or False?: In terms of religious message, the top and bottom works share a key question that is answered rather differently. For example, the top scene stages a debate or dispute about the nature of the Eucharistic sacrament, shown in the vanishing point, a message showing so clearly that there is a direct link between the Eucharistic wafer of bread and Christ’s body that there really is no dispute (despite the title). In the composition at bottom, the message of Christ's sacrifice is all but lost to the people around him, and graspable as important only to a viewer who is attentive to the composition as a whole because Christ is located in the dead center. Here, the connection with the bread tenuous (not secure), only suggested by the mill high on a craggy rock. If this artist was a member of the Family of Love, he may thus covertly (secretly) suggest that it is time to stop killing Christians over questions raised about a piece of bread.

  True or False?: In terms of religious message, the top and bottom works share a key question that is answered rather differently. For example, the key question for both is why God is divine, and it is answered in the affirmative above, and negatively below, explaining the persecution of the artist below. Related to that question is another key question we discussed in class, the question of how God in heaven came down to earth, via the anagogical axis, or via a ladder (hidden but partially visible behind the craggy rock in the bottom work), perhaps suggesting this was the ladder that was sawed down to create the cross on which Christ was crucified.

This picture was rejected by the church fathers for:

Who is depicted in the center of the composition of the marble panel from Nicola Pisano's pulpit in Pisa depicting the Annunciation, Nativity, and Adoration of the Shepherds?

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