Which of the following is NOT a key aspect of the Classical Hollywood Narrative?

Question

BlackTom AI · Accepted Answer

To understand which item is not a key aspect of the Classical Hollywood Narrative, let's review what those key aspects typically include.
Option a: Montage. While montage is a powerful editing technique used in film, it is not itself a core narrative component of Classical Hollywood storytelling. It’s a method for compressing time or conveying a lot of information quickly, but the narrative framework relies more on the sequence of objective storytelling elements rather than montage being a defining feature.
Option b: Objective. In Classical Hollywood films, the narration tends to aim for objectivity in presenting events and actions, guiding the audience through a clear cause-and-effect progression. This aligns with the tradition’s emphasis on seamless screen Continuity and plausible causality.
Option c: Obstacle. The presence of an obstacle or goal is central to the forward motion of the plot in CHN, providing the tension that drives the character’s actions and the story’s progression.
Option d: Resolution. A satisfying resolution—the tying up of plot threads and consequences—is a hallmark of Classical Hollywood narratives, offering closure after the central conflict is addressed.
Putting these together, Montage stands out as the technique rather than a core narrative component, whereas Objective, Obstacle, and Resolution are foundational elements of the Classical Hollywood Narrative.

Which of the following is NOT a key aspect of the Classical Hollywood Narrative?

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