According to the class discussion, how is "value" assigned to works within a musical canon?

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The question asks how value is assigned to works within a musical canon according to the class discussion.
Option 1: 'Through the recognition of innovative musical techniques' — This suggests value is earned purely by technical novelty. While innovation often contributes to a work's prestige, canons are not valued solely on technique; social agreement and broader consensus also play a crucial role, so this option is incomplete.
Option 2: 'Based solely on commercial success' — Commercial success can influence how widely heard a work becomes, but a canon’s value is not determined only by sales figures. Many celebrated works are not the top sellers, and some commercially successful pieces may be contested within the canon, making this explanation too narrow.
Option 3: 'By a consensus that claims its greatness is universal' — This reflects the class discussion's emphasis on communal appraisal: value arises from a shared belief within the scholarly or cultural community that the work's importance transcends particular contexts, making it includable in the canon.
Option 4: 'Through objective and unbiased assessment' — In practice, judgments about canonicity are shaped by cultural biases, historical circumstance, and interpretive frameworks. The idea of an entirely objective, unbiased assessment is idealized and not consistent with how canons are formed, so this option is not accurate.
In summary, the class discussion frames canon value as the result of a communal consensus about universality, rather than being determined solely by technique, commercial metrics, or purported objectivity.

MUSC1001.35563.202530 Quiz Module 1.2

According to the class discussion, how is "value" assigned to works within a musical canon?

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