The painter Aaron Douglas became part of the ... which sought to encourage African Americans to become politically progressive and racially conscious which we see in the arts and culture in New York City. He painted using silhouetted figures influenced by African art.

Question

The painter Aaron Douglas became part of the ... which sought to encourage African Americans to become politically progressive and racially conscious which we see in the arts and culture in New York City.  He painted using silhouetted figures influenced by African art.

BlackTom AI · Accepted Answer

The question describes Aaron Douglas as part of a movement that encouraged African Americans to become politically progressive and racially conscious, with artwork featuring silhouetted figures influenced by African art.
Option 1: 'FSA photography program' refers to the Farm Security Administration, a U.S. government program from the 1930s known for documentary photography of rural poverty. This is not the movement described in the question and does not pertain to African American political consciousness in the arts.
Option 2: 'Synthetic Cubist Style' points to an art style that blends synthetic Cubism elements, which is not the historical movement associated with African American cultural and political empowerment in New York City during the period described.
Option 3: 'The Harlem Renaissance' is the correct association. It was a rich cultural, artistic, and intellectual movement in the 1920s and early 1930s centered in New York City that promoted racial pride, political awareness, and new artistic expressions, including painters who used silhouetted figures and drew inspiration from African art, aligning with the description given.
Option 4: 'Haitian Revolution' refers to a historical event in the late 18th to early 19th century in Haiti and has no direct connection to the described American arts movement in New York focused on African American progress and cultural expression.

Art History Renaissance-Modern Final Exam

The painter Aaron Douglas became part of the ... which sought to encourage African Americans to become politically progressive and racially conscious which we see in the arts and culture in New York City. He painted using silhouetted figures influenced by African art.

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