Why did Elgammal switch from Generative Adversarial Networks (GAN) to Creative Adversarial Networks (CAN) to create variations of the images he collected for AI artwork development?

Question

Why did Elgammal switch from Generative Adversarial Networks (GAN) to Creative Adversarial Networks (CAN) to create variations of the images he collected for AI artwork development?

BlackTom AI · Accepted Answer

First, let's restate what the question is asking: why did Elgammal move from GANs to CANs for creating variations of images for AI artwork development?
Option 1: “GANs” did not work well generating original visual art. This is the core idea behind the shift. GANs can reproduce data seen during training and often struggle to produce truly novel or stylistically varied outputs; CANs were proposed to push beyond mere replication toward creative variation.
Option 2: GANs was the better program but it was very slow. This option focuses on speed as the primary driver. In the CAN context, the motivation was more about creative capability and originality rather than speed or efficiency, so this is not the main rationale.
Option 3: CANs were cheaper to operate. While cost may be a consideration in some deployments, the historical motivation for CANs centers on creative exploration and pushing the boundaries of art generation, not primarily on reducing operational costs.
Option 4: “GANs” did not work well generating original visual art. This member of the set reiterates the central claim that GANs struggled with originality, which is precisely why a curator-like network (CAN) was introduced to encourage more distinct variations rather than reproductions.
In evaluating these, note that the essential critique of GANs in this research stream is their tendency to reproduce existing data patterns and lack of inherent creative direction, which CANs seek to address by introducing a critic that emphasizes novelty and artistic value. Therefore, statements emphasizing speed or cost do not align with the reported motivation, while the repetition of the originality issue aligns with the CAN objective.

ART 9C LEC A: THEMATIC... Quiz 1 - Lectures 1-8 - What is Art and What is Performance Art

Why did Elgammal switch from Generative Adversarial Networks (GAN) to Creative Adversarial Networks (CAN) to create variations of the images he collected for AI artwork development?

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