3. In the textbook, Hurwitz connects the success and appeal of Irving Berlin's Annie Get Your Gun to the changes brought about in mainstream society by the end of World War II in terms of women being encouraged to return to the domestic sphere and let returning male soldiers 'reclaim' their previous status and roles in public life.

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Question restatement:
In Hurwitz’s discussion, the success and appeal of Irving Berlin's Annie Get Your Gun are linked to post–World War II changes in mainstream society, specifically the push for women to return to the domestic sphere and for returning male soldiers to reclaim their previous public roles.

Option 1: True

- This interpretation would align with a reading that situates the musical within a broader cultural shift after the war, where norms increasingly pressured women to shift back to homemaking roles and reassert male authority in public life.
- Supportive reasoning might note: the era’s media often reinforced domestic ideals and gendered scripts that prioritized traditional female domesticity and male civic/public dominance; a text arguing this connection would emphasize how popular culture both reflected and reinforced those norms.
- Potential nuance: if Hurwitz explicitly links the musical’s success to these postwar expectations, the analysis would show that the show resonated with audiences who anticipated or endorsed a return to prewar gender arrangements.

Option 2: False

- If this statement is false, Hurwitz could be arguing instead that Annie Get Your Gun thrived for reasons not reducible to a domestic-recovery narrative, such as enduring appeal of its musical form, wartime or postwar nostalgia for można-do-they-changed musical comedies, or broader trends in Broadway and American culture that aren’t strictly tied to gendered reassignments.
- This reading would suggest that the author sees popularity as multivalent, possibly attributing success to elements like humor, spectacle, or Berlin’s craft, rather than a straightforward reinforcement of domestic femininity and male return-to-public-life norms.
- It could also argue that the postwar period opened new opportunities for women or redefined public roles in ways that aren’t simply about retreat to domestic life, which would complicate a direct causal link between the musical’s success and a universal societal push for domesticity.

Why each option might be considered incorrect or incomplete
- For True: A caveat is that the argument may overstate a direct causal relationship, or it might ignore countervailing forces (e.g., audiences embracing modern femininity or varied regional responses) that complicate a single, uniform postwar script.
- For False: This claim would be undermined if Hurwitz provides explicit textual or historical evidence tying the musical to postwar gender norms, or if the broader scholarly context presented by Hurwitz emphasizes the cultural moment after WWII as a meaningful frame for interpreting the show’s popularity.

In sum, the analysis involves weighing whether Hurwitz anchors Annie Get Your Gun’s success to postwar gender expectations (True) or presents alternative explanations that decouple the musical’s appeal from a conservative domestic-reintegration narrative (False). The strength of each position rests on the specific evidence and interpretive framework Hurwitz provides in the text.

TH 1071 (001) Quiz 8 on Chapter 9 (p.151-165)

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