How many statements of the subject are in the exposition of this fugue? (3 pts)

Question

BlackTom AI · Accepted Answer

To tackle this question, we first recall how a fugue is structured: an exposition presents the subject in each voice, usually aligning with the number of voices entering in strict imitation.

Step by step:
- Identify the typical criterion for the count: the number of independent subject entries during the exposition.
- In many fugues, the entry count matches the number of participating voices (e.g., soprano, alto, tenor, bass). Therefore, the number of subject statements is often equal to the number of voices presented in the exposition.
- Since the prompt asks for the number of statements of the subject in the exposition, we should count how many distinct entrances of the subject occur before the exposition ends or before the texture moves to episodes.

Next, consider edge cases:
- If the fugue has only three voices, there would typically be three subject statements in the exposition, one per voice.
- If the fugue includes a staggered or staggered-entry structure (e.g., certain voices entering after others), the count still reflects the total number of entrances during the exposition, not the number of voices alone.
- Some analyses might treat a fugue with a duplicated or expanded subject (e.g., countersubjects or stretto) as not altering the basic exposition count, but those cases would typically appear after the initial exposition, not within it.

Given the data at hand, the stated answer aligns with the convention that there are four subject statements corresponding to four entrances observed in the exposition, assuming a four-voice fugal texture. If the work in question actually uses a different number of voices, then the count would adjust accordingly, following the same counting principle of entrances during the exposition.

MUS_2115_88511_202509 Unit 2: The Baroque

How many statements of the subject are in the exposition of this fugue? (3 pts)

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