Which of the following scenes is not included in the 1950 film The White-haired Girl?

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BlackTom AI · Accepted Answer

This question asks which scene is not included in the 1950 film The White-haired Girl, so I will evaluate each option in the context of the film's known narrative and typical sequences during that era.

Option 1: Xi’er and Dachun harvesting together in the field after liberation. This kind of pastoral, cooperative farming scene fits the general arc of post-liberation cinema, which often shows peasants working together in the fields as the collective spirit and land reform momentum take hold. It is plausible and historically consistent with the film’s themes of liberation and rebuilding, so this scene could reasonably be included.

Option 2: The landlord Huang Shiren’s trial, where peasants denounce him in a public struggle session. Public struggle sessions against landlords are a hallmark of revolutionary cinema and of the land-reform narrative in that period. A scene depicting the landlord’s denunciation in a struggle session would align with the film’s political message and would be a typical inclusion to illustrate peasants asserting justice and collective power.

Option 3: Dachun distributing land deeds to peasants during a celebratory village assembly. While land reform is central to the storyline, a specific moment of Dachun distributing land deeds in a celebratory assembly is a more administrative or celebratory detail. It could exist as a symbolic closing gesture, but it is less characteristic of the film’s more dramatic emphasis on struggle, sacrifice, and collective action. This scene is plausible but somewhat less essential to the core revolutionary moment.

Option 4: Xi’er’s transformation back to black hair as she returns to village life. The imagery of Xi’er’s hair changing color is a symbolic device that might appear in literature or other adaptations, but in the commonly cited scenes and framing of The White-haired Girl (1950), there is no well-documented moment described as Xi’er transforming back to black hair upon returning to village life. The film’s iconic elements center on loyalty, resilience, and the social upheaval of land reform rather than a literal hair-color restoration moment.

Taking these analyses together, the scene that stands out as not matching the film’s established depictions is Option 4: Xi’er’s transformation back to black hair as she returns to village life. The other options fit typical revolutionary-film motifs or are within plausible post-liberation sequences, whereas the hair-color transformation does not correspond to the widely recalled or described scenes of this particular film.

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Which of the following scenes is not included in the 1950 film The White-haired Girl?

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