In the postmortem scene in Gladiator, we hear an interesting variation on this theme:

Question

BlackTom AI · Accepted Answer

Question restatement: In the postmortem scene in Gladiator, we hear an interesting variation on this theme.

First, note that the provided answer indicates: "The Elysium theme". However, the list of answer options is missing in the data, so we cannot compare multiple choices directly. In a typical multiple-choice setup, we would evaluate each distractor for plausibility and contrast it with the correct thematic reference.

Analysis related to the stated correct answer:
- The Elysium theme is a well-known melodic and choral motif in Gladiator’s score. It is associated with themes of the afterlife, memory, and transcendence, which aligns with a postmortem scene where characters contemplate mortality and the beyond.
- In cinematic terms, variations of the Elysium motif are used to evoke a sense of sacred departure or ethereal calm, which would be fitting for a funeral or postmortem moment, reinforcing the emotional weight of the scene without overplaying violence or tragedy.

Analysis of why other hypothetical options (if they were present) might be incorrect:
- If an option claimed a different theme (for example, a battle leitmotif), it would likely feel incongruent with a postmortem moment, since battle music typically underscores conflict and aggression rather than reflection and peace.
- If another option suggested a generic, non-specific motif, it would lack the distinctive Gladiator identity that the Elysium theme carries, making it feel out of place in the intended emotional register.
- If an option asserted that there is no variation and that the same theme is used identically, it would ignore the composer’s practice of subtly altering motifs to signal narrative progression or shifts in mood, which is common in Hans Zimmer and Lisa Gerrard’s scoring style.

In summary, given the stated correct answer, the Elysium theme is thematically appropriate for a postmortem scene due to its association with transcendence and the afterlife, and its musical language supports a contemplative, reverent tone. The absence of listed alternatives prevents a full comparison, but the alignment of the identified theme with the scene’s emotional purpose remains coherent.

MUSIC 4, Section 004: Film Music (22511--UP---RAMUSIC---4---------004-) Unit 3 Exam

In the postmortem scene in Gladiator, we hear an interesting variation on this theme:

查看解析

登录即可查看完整答案

类似问题

Watch the following clip: Cleopatra (1963), music by Alex North Which of Gorbman's 7 rules best describes the use of music in the clip?

Watch the following clip: North By Northwest (1959), music by Bernard Herrmann Which of Gorbman's rules can be found in the use of music in the clip? (Choose all that apply.)

Watch the following clip: The Adventures of Robin Hood (1938), music by Erich Korngold Which of Gorbman's rules can be found in the use of music in the clip? (Choose all that apply.)

Watch the following clip: Gone with the Wind (1939), music by Max Steiner Which of Gorbman's rules can be found in the use of music in the clip? (Choose all that apply.)

Watch the following clip: All About Eve (1950), music by Alfred Newman Which of Gorbman's rules can be found in the use of music in the clip? (Choose all that apply.)

One of the most popular ways that audiences experience symphonic music in the twenty-first century is through film and video game scores.

During the scene in Gladiator where Commodus kills his father, which of the following is NOT present in the underscore?

In the opening scene of Edward Scissorhands, as the grandmother begins to relate Edward's story to her granddaughter, she states "His name was Edward" and the shot dissolves to a new perspective. What theme do we hear?

更多留学生实用工具

考试浏览器助手

风格化写作助手

论文查重助手

文献引用助手

课堂转译助手

课堂笔记助手

Quiz搜索助手

学校历年真题

智能刷题助手

智能匹配练习

希望你的学习变得更简单