Which of the films discussed in class is critical of environmental discourses like deep ecology?

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Question restatement: Which of the films discussed in class is critical of environmental discourses like deep ecology?

Option 1: Silent Running. This 1972 film is widely interpreted as a celebration of environmental preservation and a critique of technocratic interference with nature, aligning more with pro-environment themes than with a critique of environmental discourses themselves. It does not function as a critique of environmental ideologies such as deep ecology, making it an unlikely choice for being critical of those discourses.

Option 2: Safe. Safe is a 1995 drama that probes suburban life, chemical sensitivities, and consumerist culture. While it centers on personal and social malaise rather than environmental policy, some readings position Safe as a satire of how environmental concerns and wellness movements can become commodified or policed within contemporary society. In this sense, it can be interpreted as offering a critique of how environmental discourses are deployed, marketed, or internalized, rather than endorsing them uncritically. This framing makes Safe a plausible answer for a question about films that are critical of environmental discourses like deep ecology.

Option 3: Anthropocene: The Human Epoch. This documentary explicitly examines humans’ profound impact on the Earth and foregrounds environmental crises. Rather than being critical of environmental discourses, it tends to present them as necessary to recognize and respond to planetary change. It does not align with a critical stance against environmental ideologies such as deep ecology.

Option 4: Pumzi. A science-fiction short film addressing water scarcity and ecological collapse, Pumzi engages with post-apocalyptic ecological themes. It generally reinforces concerns about environment and resource stewardship rather than critiquing environmental ideologies like deep ecology.

In summary, among the provided options, Silent Running and Pumzi are more straightforwardly aligned with ecological or environmental storytelling, while Anthropocene: The Human Epoch foregrounds environmental critique in a documentary context. Safe stands out as the one that can be read as a satirical or critical take on how environmental concerns are framed, marketed, or experienced in modern life, making it the option most consistent with being critical of environmental discourses like deep ecology.

FILM-80S-02 Quiz: Environmental Discourses

Which of the films discussed in class is critical of environmental discourses like deep ecology?

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