The piece below is a Mazurka by a Polish composer who adapted the traditional Polish dance into solo piano music. The name of the composer is

Mazurka Op. 7 No. 1

Question

The piece below is a Mazurka by a Polish composer who adapted the traditional Polish dance into solo piano music.  The name of the composer is

Mazurka Op. 7 No. 1

BlackTom AI · Accepted Answer

The prompt presents a question about a Mazurka Op. 7 No. 1, described as a Mazurka by a Polish composer who adapted the traditional Polish dance into solo piano music.

First, note what is given: the statement identifies a Polish composer associated with a Mazurka Op. 7 No. 1 and mentions the transformation of a traditional Polish dance into solo piano music.

Next, consider the typical historical context: Chopin is the most renowned Polish composer who extensively popularized the Mazurka as a piano genre, adapting traditional Polish dances into character pieces for solo piano. This association between Chopin and many famous Mazurkas (including early Op. 7 No. 1) is a common point in music history.

Now, examine the options provided in a standard multiple-choice layout (even though the actual option list here is missing):
- If an option named Chopin is present, it would be consistent with the well-known fact that Chopin wrote numerous Mazurkas and is closely linked with this Polish dance form in piano literature.
- If there were other options such as other Polish composers (e.g., Szymanowski, Paderewski) or non-Polish composers, those would be historically less likely to be the composer of this specific well-known Mazurka Op. 7 No. 1, since the Op. 7 set is traditionally attributed to Chopin.
- If an option claimed that the Mazurka Op. 7 No. 1 was not a Chopin work, that would conflict with standard repertory catalogs and the general understanding of the piece.

Because the provided data lacks the actual list of answer choices, we cannot evaluate each specific option against the question’s facts within this instance. However, given the conventional association of Mazurka Op. 7 No. 1 with Fryderyk Chopin, any option naming Chopin would align with the widely accepted attribution, while other attributions would require corroborating evidence.

In a complete question with options, you would compare each choice to the known facts: correct attributions should align with standard music history sources, while incorrect choices would be contradicted by the established composer-pieces pairing, or by style, opus numbering, and catalog details. If an option lacks support from reputable cataloging (e.g., mis-stated opus number, incorrect national origin, or anachronistic dating), you would mark it as incorrect.

If you can provide the actual answer options, I can walk through each one specifically and pinpoint why each would be correct or incorrect in light of Chopin’s association with Mazurka Op. 7 No. 1.

MUS-101-01: Intro/Western Classical Final Exam

The piece below is a Mazurka by a Polish composer who adapted the traditional Polish dance into solo piano music. The name of the composer is Mazurka Op. 7 No. 1

查看解析

登录即可查看完整答案

类似问题

For which famous classical music musician was "La Grange au Lac" built?

The following excerpt is the main theme of Opening Theme of Symphony Download Opening Theme of Symphony

All of the following are major characteristics of Beethoven’s middle (“heroic”) period EXCEPT:

All of the following characteristics of the SYMPHONY genre made it appealing to audiences attending public concerts EXCEPT:

The following excerpt is the main theme of Opening Theme of Symphony

Cecil Taylor came to jazz from the world of _____________________ music

Which of the following excerpts comes from the C section of Johannes Brahms’s A German Requiem, IV? Excerpt 1 Excerpt 2

Which of the following excerpts comes from the B section of Johannes Brahms’s A German Requiem, IV? Excerpt 1 Excerpt 2

更多留学生实用工具

考试浏览器助手

风格化写作助手

论文查重助手

文献引用助手

课堂转译助手

课堂笔记助手

Quiz搜索助手

学校历年真题

智能刷题助手

智能匹配练习

希望你的学习变得更简单