The rule stating that “The size of an object in the frame should be directly related to its importance in the story at that moment” is associated with which director?

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The question asks: The rule stating that “The size of an object in the frame should be directly related to its importance in the story at that moment” is associated with which director?
Option a: Martin Scorsese. While Scorsese is known for dynamic compositions and long takes, this specific framing principle about on-screen object size matching narrative importance is not a hallmark attributed to him.
Option b: Wes Anderson. Anderson is famous for highly stylized, symmetrical frames and meticulous production design, but the described rule is not typically cited as his signature concept.
Option c: Alfred Hitchcock. This choice aligns with Hitchcock's mastery of visual storytelling, where the placement and scale of objects within a frame are leveraged to signal narrative importance and guide audience focus, a concept closely linked to his suspense-building techniques.
Option d: Stanley Kubrick. Kubrick is celebrated for his meticulous blocking, wide-angle compositions, and precise mise-en-scène, yet the specific idea about object size reflecting story importance is not predominantly credited to him.
In summary, while several directors are renowned for strong visual storytelling, the principle described—scaling an object to reflect its momentary importance in the narrative—is routinely associated with Alfred Hitchcock, whose framing choices often encode meaning and tension through what is emphasized in the frame.

The rule stating that “The size of an object in the frame should be directly related to its importance in the story at that moment” is associated with which director?

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