关于刘长卿的诗，以下哪一句的评价不准确？

Question

BlackTom AI · Accepted Answer

Question restatement: The prompt asks which statement about Liu Changqing's poetry is not accurate.
Option 1: '思锐才窄' — This roughly translates to 'sharp in thought but narrow in talent.' This kind of critique suggests a paradox where ideas are keen yet the poet’s technical ability or breadth is limited. In evaluating Liu Changqing, some scholars note his concise, austere style and frontier imagery; others might view his craft as disciplined and effective within his chosen register. Interpreting this option as inaccurate would depend on whether one believes his talent was wide enough to match his ideas, or whether the narrowness claim overlooks the efficiency and precision of his verse.
Option 2: '文字省净优美而意境幽远' — Translating roughly to 'his writing is spare and refined, elegant, with a distant or ethereal mood.' This aligns with common assessments of Liu Changqing, who is often praised for a spare, refined diction and a mood that feels distant or desolate, especially in frontier poems. As such, this statement is generally considered accurate.
Option 3: '诗体虽不新奇，甚能炼饰' — Meaning 'the poetic form is not innovative, but is highly crafted/ornamented.' This suggests that while the form is conventional, the poet’s craft is meticulous. Liu Changqing is not typically celebrated for formal experimentation; instead, he is admired for lucid expression and controlled craftsmanship within established forms. Therefore, describing his style as not novel but well refined is a defensible assessment and could be considered accurate depending on the source.
Option 4: '早期还有青年人的慷慨意气，后来则是衰世的哀鸣' — This asserts a developmental arc: early works express youthful vigor, later works express lament over a decaying world. To judge accuracy, one would weigh whether Liu Changqing’s oeuvre indeed exhibits this progression. Some readings of frontier poetry emphasize stark, austere landscapes and the hardships of war or border life, with a mood that can verge on melancholy; others argue that the shift to a more somber voice is not uniformly established across his entire career. The characterization of an explicit, biographical arc from youthful bravado to lament may be a simplification or a misattribution depending on how one sequences his poems.
Analytical note on the overall reasoning: When evaluating options, it helps to connect each claim to well-known traits of Liu Changqing—conciseness and refinement of diction, frontier/imaginative mood, craftsmanship within conventional forms, and the potential for varying interpretive judgments about tonal progression. The second option is commonly accepted as accurate; the third aligns with views of craftsmanship; the first and fourth hinge on interpretive judgments about talent breadth and biographical arc, which are more debated and may be considered less universally agreed upon. In particular, the assertion in Option 4 about a clear early-vs-late thematic shift is the type of claim that scholars might dispute due to variations in how his career is read across different poems and periods. Therefore, while Options 2 and 3 correspond well with mainstream descriptions, Options 1 and 4 are more contestable and open to disagreement, with Option 4 being a particularly debatable characterization of his oeuvre.
Note on potential ambiguities: If your source emphasizes biographical readings or specific lyric groups, the acceptability of each option may shift. In such cases, cross-check with the author’s representative works and scholarly commentary to decide which description most consistently matches the corpus.

CHIN_V 471 013 2025W1 Session 8 Self-Study

关于刘长卿的诗，以下哪一句的评价不准确？

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