2:02 -- the first part of this phrase could be said to be an advanced form of:

Question

BlackTom AI · Accepted Answer

The prompt presents a question about a phrase where the first part could be described as an advanced form of something. We should evaluate what each option could plausibly refer to in a musical or performance context.
Option 1: 'In-chorus' — This term suggests something occurring within a chorus, possibly as a structural or collective vocal moment. However, calling it an 'advanced form' of the first part of a phrase doesn't naturally align with a standard music-theory description. It seems less likely to be the intended advanced form reference here.
Option 2: 'Unison shout' — A unison shout would involve multiple voices or instruments singing the same pitch simultaneously. While related to coordination and ensemble singing, 'advanced form' is not typically used to describe a prelude or lead-in to a phrase in the way the question implies. The phrasing feels more colloquial than theoretical.
Option 3: 'Stop time solo break' — This describes a particular rhythmic technique where the rhythm section plays a sparse pattern, creating a moment for a soloist. Although it is an advanced or specific musical event, it is usually discussed in the context of rhythm and improvisation, not as a generalized form of the first part of a phrase.
Option 4: 'Call and response' — This is a well-established musical and communicative structure where one voice or instrument states a melodic or rhythmic idea (the call) and another answers (the response). If the question mentions that the first part of the phrase could be an advanced form of something, 'call and response' is a natural, widely-used framework that can be extended or elaborated (advanced) in performance practice.
To differentiate the options more clearly, consider what 'advanced form of' might imply: options 1–3 describe specific performance contexts or techniques, but do not inherently reflect an overarching structural form. In contrast, 'call and response' denotes a clear, scalable structure that can be elaborated or advanced in its development, making it a sensible match for the idea of an advanced form of a phrase’s beginning.
In summary, while each alternative touches on musical interaction moments, 'Call and response' best fits as the foundational form that can be developed into more complex or advanced iterations, aligning with the notion of an advanced form of the first part of the phrase.

25SP_MUS27_11345 Wrappin' It Up

2:02 -- the first part of this phrase could be said to be an advanced form of:

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25SP_MUS27_11345 Wrappin' It Up

2:02 -- the first part of this phrase could be said to be an advanced form of:

查看解析

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类似问题

An exchange between a soloist and a choir or chorus of singers is regarded as

An exchange between a soloist and a chorus is known as

The music below features polychoral writing between two groups of instruments. The antiphonal interaction between the two is demonstrated in ______ and _________. "Sonata pian'e forte" from Sacrae Symphoniae by Gabrieli

1:25 -- This wordless duet between trumpet and clarinet could be termed:

Early Henderson arrangements almost literally have the saxophones and the ___________ responding to each other.

Armstrong and Oliver perfected a _____________ style by which Armstrong seemed instinctively to know what his boss was about to play (video question)

Jazz came out of the African American community experience and much of that is based on the _________ and response of the black church.

Which of the following statements are usually true of "call and response" in African-American discourse and musical tradition? (Select all that apply.)

更多留学生实用工具

希望你的学习变得更简单

The music below features polychoral writing between two groups of instruments. The antiphonal interaction between the two is demonstrated in and ___. "Sonata pian'e forte" from Sacrae Symphoniae by Gabrieli