Mademoiselle de La Fontaine became the first professional premier dancer on record.

Question

BlackTom AI · Accepted Answer

The question presents a historical claim about Mademoiselle de La Fontaine and asks you to evaluate True or False.
Option 1: True. This statement asserts that Mademoiselle de La Fontaine became the first professional premier dancer on record. To assess this, consider what 'first professional' and 'premier dancer' imply in the history of dance. If historical archives from major ballet institutions (for example, early Paris Opera/ballet records) identify Mlle de La Fontaine as the earliest dancer to be engaged as a professional and to hold a recognized leading rank (premier dancer or premier danseur/danseuse) on record, then the claim could be supported by those primary sources. It would reflect the emergence of a professionalized ballet system in which dancers were officially employed and listed as premier performers rather than working solely as amateurs or in court entertainments. A correct evaluation would note the significance of contemporaneous records naming her in such a high rank and would mention why this marks a historical first within that documented tradition. If there are any caveats in the sources—such as later discoveries of earlier documented professionals or differences in titles across regions—these would need to be weighed, but the statement could still be considered true if the best-available records indeed credit her as the first documented professional at that rank.
Option 2: False. This would be chosen if one has access to evidence showing that either a different dancer held the title of first professional premier dancer earlier, or that no such formal rank existed or was recorded under that exact wording at the time. It would require showing that the term 'premier dancer' or its equivalent did not apply in the period or that a predecessor with clearer documentation predated Mlle de La Fontaine in the same capacity. In this view, the claim would be undermined by earlier records, ambiguous use of the title, or lack of explicit documentation tying her to the first professional premier status.
To differentiate between the two, one would compare the specific primary sources (playbills, company rosters, contracts, contemporary commentary) that mention Mademoiselle de La Fontaine and any earlier dancers in the same rank, and assess whether 'first' is supported by explicit dating and job-title usage. If the sources consistently identify her as the earliest documented professional premier dancer and there is no earlier counterexample in the same corpus, then the true assessment stands. If, however, the sources indicate an earlier professional of the same rank or question the application of the title to that period, then False would be warranted.
In summary, the reasoning hinges on documentary evidence for who held the title of premier dancer first and whether Mademoiselle de La Fontaine is the earliest figure so recorded. The True answer rests on the strength and dating of those archival references, while False would require a demonstrable earlier record or an invalid use of the title in her case.

History and Appreciation Dance Chapter 4 Quiz

Mademoiselle de La Fontaine became the first professional premier dancer on record.

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