Theater is an event that requires an actor/audience relationship to momentarily suspend disbelief of a(n) __________________.

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When considering theater and the audience's engagement, we evaluate what belief or frame the performance asks the viewer to temporarily accept.
Option 1: Non-fiction setting. While many plays may be grounded in reality, the core concept of suspension of disbelief is not about accepting a non-fiction setting per se; it’s about accepting something that serves the dramatic illusion, which can include fictional elements beyond strict realism.
Option 2: Historical event. A play might depict a historical moment, but the essential idea of suspension of disbelief is not limited to history—audiences also suspend disbelief for imaginary or altered circumstances within a story.
Option 3: True Story. Even when a play claims to tell a true story, actors, staging, and interpretation still require the audience to suspend disbelief about the immediacy or the rendition of events, not necessarily about the veracity of the events themselves. The key is the beyond-reality quality of the presented circumstances, whether or not they are claimed to be true.
Option 4: Imaginary circumstance. This aligns with the theatrical notion that theater often invites the audience to accept a crafted, imaginary world or situation for the duration of the performance, thereby suspending disbelief about the fictional nature of the events or characters.
By weighing these angles, the central requirement of theater’s audience-actor relationship is the temporary acceptance of a constructed, imaginary circumstance within the performance, rather than an insistence on non-fiction, strict historical accuracy, or a guaranteed true story. The idea of an imagined or invented situation best captures that experiential suspension.

07:965:211 THEATER APPRECIATION Ungraded Theater Survey

Theater is an event that requires an actor/audience relationship to momentarily suspend disbelief of a(n) __________________.

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