The song, "Hallelujah I Love Her So" (1956), by Ray Charles, shows the influence of both gospel and _______ genres of music that came to be defined as "soul" music.

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The question asks about the genres that influenced Ray Charles on the song 'Hallelujah I Love Her So' and notes that these influences helped define soul music.
First, consider the structure of the statement: gospel is explicitly named as an influence, and the blank is meant to be filled with another genre that contributed to the development of soul.
A common and well-supported influence alongside gospel in this era is blues, a foundational African American musical form that emphasizes expressive vocal timbre, call-and-response patterns, and rhythmic groove. These blues elements blend with gospel to give rise to the soulful sound characteristic of early Ray Charles material.
Why not other possibilities? If we imagine rock, pop, or jazz as contenders, they either did not contribute as directly to the emergence of soul in the mid-1950s or are less central to the synthesis that Ray Charles exemplified in this track. Gospel provides the spiritual and vocal fervor, while blues supplies the emotional bends, blue notes, and traditional structure that shape the blues-influenced soul fusion observed here.
In sum, blues is the complementary influence to gospel that helps define the soul-oriented sound in this song, reflecting how Ray Charles fused secular and sacred musical vocabularies to forge a new, Southern-inflected soul style.

MUSI-2740-DL3 (Spring 2025) Chapter 10 Test

The song, "Hallelujah I Love Her So" (1956), by Ray Charles, shows the influence of both gospel and _______ genres of music that came to be defined as "soul" music.

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