Questions
Art History Prehistoric-Gothic To Do: Quiz 5: Early monotheistic art and the Byzantine empire
Single choice
The image below of Jesus between the Greek letters Alpha and Omega on the ceiling is an example of which of the following?
Options
A.Narrative Image
B.Both A and B
C.Iconic Image
D.Shepherd Image
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Step-by-Step Analysis
Question restatement: The image shown, depicting Jesus between the Greek letters Alpha and Omega on the ceiling, asks which category best describes it.
Option 1: Narrative Image. A narrative image conveys a story or sequence of events. While Christian symbolism like Jesus and ......Login to view full explanationLog in for full answers
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True or False?: In terms of religious message, the top and bottom works share a key question that is answered rather differently. For example, the top scene stages a debate or dispute about the nature of the Eucharistic sacrament, shown in the vanishing point, a message showing so clearly that there is a direct link between the Eucharistic wafer of bread and Christ’s body that there really is no dispute (despite the title). In the composition at bottom, the message of Christ's sacrifice is all but lost to the people around him, and graspable as important only to a viewer who is attentive to the composition as a whole because Christ is located in the dead center. Here, the connection with the bread tenuous (not secure), only suggested by the mill high on a craggy rock. If this artist was a member of the Family of Love, he may thus covertly (secretly) suggest that it is time to stop killing Christians over questions raised about a piece of bread.
True or False?: In terms of religious message, the top and bottom works share a key question that is answered rather differently. For example, the key question for both is why God is divine, and it is answered in the affirmative above, and negatively below, explaining the persecution of the artist below. Related to that question is another key question we discussed in class, the question of how God in heaven came down to earth, via the anagogical axis, or via a ladder (hidden but partially visible behind the craggy rock in the bottom work), perhaps suggesting this was the ladder that was sawed down to create the cross on which Christ was crucified.
This picture was rejected by the church fathers for:
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