According to lecture, how was Tatlin's Monument to the Third International put on view, or seen, at the time?

Question

According to lecture, how was Tatlin's Monument to the Third International put on view, or seen, at the time?

BlackTom AI · Accepted Answer

To approach this question, we first consider the historical reality of Tatlin's Monument to the Third International and how it was presented to the public in the era of its conception.
Option 1: 'It was mass manufactured in small, table-top versions, so people could have it on their desk or night stand, as a reminder of what it stood for.' This is unlikely to be accurate. The monument was a radical, oversized construct designed to symbolize a new socialist future, not a consumer object produced for ordinary desk or bedside display. There is no historical record of mass-produced, tiny table-top versions circulating for private use.
Option 2: 'A smaller-scale model of it was built and included in parades.' This aligns with the practice of showcasing avant-garde projects in public contexts. Small-scale maquettes or models could be carried or displayed in public processions or parades to communicate the concept to a broad audience when the full-scale structure was not possible to realize. This explanation fits how such a radical project might have been publicly exhibited in the early Soviet period.
Option 3: 'The full 1300-foot monument was built, in Moscow' This statement is historically inaccurate. The Monument to the Third International (commonly known as Tatlin’s Tower) was never completed at its full proposed height or even started in a way that produced a standing, completed structure. The project remained unbuilt beyond plans and models for the duration of its conceptual life.
Option 4: 'It was exhibited in art exhibitions for an art-collecting, wealthy public' While some avant-garde works did appear in exhibitions, Tatlin’s Tower was primarily a political and architectural proposal tied to the Bolshevik era and its theoretical aims, and there is less emphasis on it being circulated as an artwork for a wealthier, art-collecting audience in traditional museum or gallery settings. The iconic nature of the proposal lies in its theoretical and propagandistic dimension rather than conventional high-end art exhibitions.
In summary, the most plausible statement that reflects how the project was presented to the public in lecture contexts is that a smaller-scale model was built and included in parades, illustrating the aspirational yet unrealized status of the full-scale monument rather than a mass-market desk version, a completed huge structure, or exclusive gallery exhibitions.

ARTDES 151 001 WN 2025 February 21 quiz

According to lecture, how was Tatlin's Monument to the Third International put on view, or seen, at the time?

View Explanation

Log in for full answers

Similar Questions

In a consumer society, many adults channel creativity into buying things

Economic stress and unpredictable times have resulted in a booming industry for self-help products

People born without creativity never can develop it

A product has a selling price of $20, a contribution margin ratio of 40% and fixed cost of $120,000. To make a profit of $30,000. The number of units that must be sold is: Type the number without $ and a comma. Eg: 20000

Which of the following statement regarding cost is correct:

Under the assumptions used in cost-volume-profit analysis, as the activity increases:

The CVP and break-even analysis are supported by a range of important assumptions. Which of the following is not an assumption of the CVP:

The break-even point is that at which:

More Practical Tools for Students Powered by AI Study Helper

Homework AI Solver

Stylized AI Paper Writer

Plagiarism Checker Assistant

Citation AI Academic Writing Tool

In-Class Translation Assistant

AI Note Generator

AI Quiz Answers

Past Exam Questions from University Test Bank

Smart Practice Assistant

Adaptive Practice

Making Your Study Simpler