The Music Corporation of America rose to become the dominant booking agency for big dance bands in the 1930s.

Question

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The prompt asks about the historical role of The Music Corporation of America (MCA) in the 1930s and its status as the dominant booking agency for big dance bands.
Option 1: True. This statement aligns with historical accounts that MCA rose to prominence in the 1930s by securing bookings for leading big-band orchestras and dance bands, consolidating agency power during the swing era. It reflects MCA’s expansion through talent rosters, negotiating leverage, and industry influence that helped shape big-band touring and performance circuits.
Option 2: False. This would claim MCA did not achieve dominance in the 1930s, which contradicts well-documented industry history. If one argues against dominance, they would need to present evidence that another agency surpassed MCA or that MCA’s influence was limited, but such claims would lack support given the documented growth of MCA during that period.
Option 3: This choice would imply a nuance such as MCA being dominant for a limited time or only in a specific region, but the statement asserts a broad, league-wide dominance for big dance bands, which is a more expansive claim than some competing narratives would support.
Option 4: This would suggest MCA’s influence did not extend to booking big bands or that its rise occurred outside the 1930s; however, historical records place MCA squarely in the center of the agency ecosystem during swing-era bookings, making this option inconsistent with the established timeline.
In evaluating these options, the core issue is alignment with the historical role of MCA in the 1930s, its market position, and the scale of its influence over big-band bookings. The incorrect statements generally misstate the scope, timing, or nature of MCA’s dominance, or deny well-supported industry trends from that era. The correct interpretation relies on recognizing MCA’s prominent ascent during the 1930s and its impact on big-band touring and bookings across major venues and circuits.

MUSI-2740-DL3 (Spring 2025) Chapter 6 Test

The Music Corporation of America rose to become the dominant booking agency for big dance bands in the 1930s.

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