In a minstrel show, the interlocutor is:

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The question asks about the role of the interlocutor in a minstrel show, so we need to evaluate what each option claims about that position.
Option 1: the emcee (master of ceremonies) who also serves as the "straight-man" for the comedic endmen. This describes the interlocutor's traditional function: acting as the central speaker who guides the dialogue and provides the straight-man contrast to the endmen's playful banter. This aligns with historical descriptions of the interlocutor’s role in the minstrel format.
Option 2: the black-faced vocalist of love ballads. While minstrel shows featured various performers, the specific role of the interlocutor is not the vocalist of love ballads; those roles were separate performance slots or stock characters, not the interlocutor.
Option 3: the baggy-pants comedian who performs between vocal numbers. This sounds like a description of a clowning or dancing interlude act, often associated with endmen or other vaudeville stunts, but it does not match the interlocutor’s defined function as the straight-man whose dialogue binds the skit.
Option 4: the animal trainer of vaudeville shows. This option describes a specialty act unrelated to the interlocutor’s function within a minstrel show, which focused on dialogue and musical/bantering structure rather than animal acts.
In summary, Option 1 best matches the interlocutor’s established role as the emcee and straight man who leads the interaction with the endmen, whereas Options 2, 3, and 4 describe roles that either do not fit the interlocutor’s position or refer to distinct performance elements not intrinsic to the interlocutor’s function.

MUSIC-15A-40785-F25 Chapter 8 Review Quiz

In a minstrel show, the interlocutor is:

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