T or F: Goodman's orchestra was considered to be a white, "sweet" band.

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Statement to evaluate: 'T or F: Goodman's orchestra was considered to be a white, "sweet" band.'
Option 1: True. If we consider the historical label, some might recall Benny Goodman’s ensemble as a prominent white band in the swing era. However, the specific descriptor of being a 'sweet' band conflicts with the common characterization of Goodman's group, which was renowned for its swinging, improvisational vigor and prominent performances of jazz-infused swing pieces. Thus labeling it as 'sweet' does not accurately capture its typical categorization, making this option misleading.
Option 2: False. Benny Goodman’s orchestra is widely recognized as a leading white big band that helped popularize swing music to a broader audience. The term 'sweet' is generally associated with smoother, more arranged music often contrasted with the more improvisational and high-energy 'hot' or swing style. Goodman's band, while white, was celebrated for its swing performance and virtuosic soloists, aligning more with the swing/hot spectrum than the traditional 'sweet' band stereotype. Hence describing it as a 'sweet' band misplaces its stylistic identity.
In summary, the assertion that Goodman’s orchestra was a white, 'sweet' band mixes a factual element (white status) with an inaccurate stylistic label (sweet) that does not align with the ensemble’s historical reputation as a prominent swing band.

25SP_MUS27_11345 Ridin' High

T or F: Goodman's orchestra was considered to be a white, "sweet" band.

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