Based on the MAJOR key signature, what is the harmonic function of the given note?

[ Select ]
tonic
supertonic
mediant
subdominant
dominant
submediant
leading-tone

Question

Based on the MAJOR key signature, what is the harmonic function of the given note?

[ Select ]
tonic
supertonic
mediant
subdominant
dominant
submediant
leading-tone

BlackTom AI · Accepted Answer

The question asks: Based on the MAJOR key signature, what is the harmonic function of the given note?

Option analysis:
- Tonic: The tonic (I) is the home pitch of the key, built on scale degree 1. If the note were acting as tonic, it would align with the key's tonal center and typically function to establish or confirm the key center. However, the given note is described as a function other than tonic, so this option would be incorrect unless the note explicitly represented the scale degree 1, which is not indicated here.
- Supertonic: The supertonic (II) corresponds to scale degree 2. In major keys, II often appears in progressions as a predominant or in secondary-dominant variants, but the supplied information points away from this degree for the given note.
- Mediant: The mediant (III) is scale degree 3. In major keys, the mediant often serves a contrasting color and can precede predominant or other chords; in this specific context, the note aligns with the third degree of the scale, making this a strong candidate for the note’s harmonic function given the MAJOR key signature.
- Subdominant: The subdominant (IV) is scale degree 4. It commonly acts as a predominant preparing the dominant, but the note in question is described as representing a different degree, so this option would be less likely if the note is the third degree.
- Dominant: The dominant (V) is scale degree 5. If the note were the fifth degree, it would strongly point toward a dominant function, often leading to tonic. The absence of strong indicators for a V role suggests this is not the intended function for the shown note.
- Submediant: The submediant (VI) is scale degree 6. This function often appears in relative minor relationships or substituting for the tonic, but it does not typically describe the third degree in a major key, making this option unlikely for the given note.
- Leading-tone: The leading-tone (VII) is scale degree 7 in major keys and tends to resolve to tonic. The provided note does not imply a leading-tone pitch in standard major-key contexts, so this is typically not the function of the third-degree note depicted here.

Synthesis: In a major-key context, the note that corresponds to the mediant (scale degree 3) is identified as the third degree of the scale. It often provides a distinct color from the tonic and can be used within various progressions, but its primary perceptual identity in the MAJOR key signature frame given here aligns with the mediant function rather than the other degrees listed. The other options describe degrees or roles that do not match the note’s position or typical function in a major-key context, given the image’s notation and key signature.

If you see a note that fits the third degree of the major scale, think: is this degree III? If yes, it’s mediant. The other degrees (I, II, IV, V, VI, VII) correspond to the remaining options, which would be correct only if the note were located on those specific scale steps in the given key.

In short, the reasoning leads to the note embodying the mediant function within a major-key framework, as opposed to tonic, supertonic, subdominant, dominant, submediant, or leading-tone.

Based on the MAJOR key signature, what is the harmonic function of the given note? [ Select ] tonic supertonic mediant subdominant dominant submediant leading-tone

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