The first part of a fugue, the exposition, is over when

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The question asks: The first part of a fugue, the exposition, is over when

Because the answer options are not provided in the data, we cannot enumerate or evaluate specific choices. The analysis will proceed by clarifying the standard musical understanding of a fugue’s exposition.

In a traditional tonal fugue, the exposition is the initial section in which each voice enters sequentially with the subject. The canonical milestone marking the end of the exposition is typically when all participating voices have stated the subject (often in turn, each voice presenting the subject at least once). Once every voice has entered with the subject, the exposition concludes and the piece moves into the middle or development sections, where episodes and countersubjects may appear and the tonal area may modulate.

If one were to consider alternative endings for the exposition, potential distractors might include statements like: the exposition ends after the initial entrance of the first voice, or after the countersubjects begin, or after a certain number of measures, or after the first cadence of the subject. Each of these would be incorrect in standard fugue form because the defining boundary is the complete entry of the subject in all voices participating in the exposition.

Given the conventional structure, the key idea is that the exposition ends when all voices have stated the subject, establishing the true imitative texture and confirming the tonal relationships before development ensues.

In the absence of explicit answer choices, this explanation focuses on the core criterion for finishing the fugue’s exposition and contrasts it with common misconceptions about what signals its end.

MUS-101-01: Intro/Western Classical Midterm

The first part of a fugue, the exposition, is over when

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