Extrapolating from Banes work in "Power and the dancing body", the disco body outwardly displayed the presentational cultural of the 1970s and 1980s. This is an example of the Effective Theory.

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The claim presented combines two ideas: the disco body as outward display of 1970s–80s presentational culture, and that this illustrates an 'Effective Theory.'
Option 1 (True): This would assert that Banes’s analysis situates the disco body squarely within a specific theoretical framework named 'the Effective Theory.' In exercise, the important point is recognizing what theory Banes actually employs. Banes is known for engaging with performance, embodiment, power, and gender in dance, but mainstream scholarship around her work does not prominently feature a theory labeled 'Effective Theory.' This makes attributing the disco body’s display to an 'Effective Theory' questionable at best, and likely incorrect due to the misnaming or misapplication of the theory.
Option 2 (False): To evaluate this choice, consider what Banes emphasizes when she discusses how the disco body presents cultural meaning. She analyzes how bodies perform power, gender, sexuality, and social norms through dance and movement in a particular historical moment. The statement’s reference to an 'Effective Theory' seems to misidentify the theoretical lens; if someone intended to describe Banes’s approach, they would more plausibly align it with performance theory, embodiment, or feminist/American cultural studies perspectives rather than a theory specifically called 'Effective Theory.' As a result, the assertion as a whole is incorrect because it relies on an inaccurate naming of the theoretical framework and a potential simplification of Banes’s nuanced analysis.
Additional nuance: even if one concedes that the disco body outwardly mirrors presentational culture, labeling this as evidence for an 'Effective Theory' would require a precise definition of what that theory entails within the context of Banes’s argument. Without that definition, the statement remains imprecise and misleading, reinforcing why the overall proposition is not correct.

DANCE 45 S25 ⭐Quiz #1: Unit One: Dance and Cultural Contexts

Extrapolating from Banes work in "Power and the dancing body", the disco body outwardly displayed the presentational cultural of the 1970s and 1980s. This is an example of the Effective Theory.

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