All of the following are major characteristics of Beethoven’s middle (“heroic”) period EXCEPT:

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The prompt asks us to identify the statement that is NOT a major characteristic of Beethoven’s middle (“heroic”) period, but there is a complication: the provided options list is empty, so we cannot directly analyze each listed choice.

Given general music history knowledge, the middle or heroic period of Beethoven is typically associated with stylistic shifts such as heightened orchestral scale, expanded forms and development sections, more driving rhythmic energy and bold orchestration, extended dynamic contrasts, and a move away from strict classical models to more personal and monumental musical ideas. In this context, the statement that would be least consistent with those traits would be one that suggests a strong reliance on imitation of earlier classical models by Haydn or Mozart.

To evaluate this with complete accuracy, we would need the explicit set of answer options to compare each one against the characteristic features of the heroic period. However, since the option list is missing, we cannot confirm how many choices there were or which other statements might align with or oppose the heroic-period traits.

If we assume the intent behind the single provided option—"More imitation of models from Haydn and Mozart"—fits a characterization more aligned with Beethoven’s early or transitional periods rather than the heroic middle period, then that option would be the one least associated with the heroic style. This is because the heroic period is recognized for innovation and expansion beyond the neat norms of Haydn/Mozart-era music, rather than a return to or heavy reliance on imitation of those models.

In summary, due to the missing answer options, a complete, option-by-option justification cannot be rendered. However, based on standard scholarly understanding of Beethoven’s middle period, the notion of increasing imitation of Haydn and Mozart would be atypical for the heroic phase, which is characterized by originality, expansion, and dramatic contrasts rather than conformity to earlier models.

MUS-101-01: Intro/Western Classical Module 4 Quiz

All of the following are major characteristics of Beethoven’s middle (“heroic”) period EXCEPT:

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