The editing process Dr. Holmes employed to communicate an idea, which can be seen in "The Cliche" is which of the following is the BEST choice:

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Question restatement: The editing process Dr. Holmes employed to communicate an idea, which can be seen in "The Cliche" is which of the following is the BEST choice:

Option A: When she was watching/creating the "Cliche" she looking at the tension created as replicates selves crossed one another. 
Option B: As she choreographed the Cliche, she considered how the bodies related to each other.

Option A analysis: This option emphasizes watching or creating the Cliche and notes tension from replicated selves crossing one another. The phrasing suggests a focus on tension and visual crossings as a key editing insight. If one interprets the editing process as drawing out conflict, repetition, or mirrored actions to convey a concept, this could be a plausible lens. However, the sentence is grammatically awkward, which may reflect how the idea was originally observed or transcribed, potentially making its clarity about editing intent weaker. Consider whether “tension” and “replicates selves crossing” align with a deliberate editing strategy to communicate meaning versus merely describing a performance moment.

Option B analysis: This choice centers on choreography and the relational aspect of bodies, asking how they relate to one another. From an editing perspective aimed at communicating an idea, focusing on spatial relationships and how movements interact can be a direct means of encoding meaning, symbolism, or structure. If the editing process is about shaping perception by arranging bodies and their connections, this option foregrounds a technique—compositional relations—that often underpins effective communication in visual media. The language is clearer, and the concept aligns with intentional editing decisions that guide audience interpretation through spatial organization.

Comparative notes: While Option A foregrounds tension and a crossing of mirrored elements, its vagueness and grammatical issues may obscure a precise editorial rationale. Option B offers a more straightforward description of an editing-driven consideration—how the bodies relate in space—which typically serves clearer communicative goals in film or choreography edits. Depending on how one defines the “BEST choice,” Option B could be favored for its emphasis on relational composition as an editing strategy, whereas Option A may be selected by someone prioritizing themes of repetition and tension, provided the wording is interpreted with the intended meaning in mind.

Overall reflection: If the aim is to identify a description that most directly reflects an editing choice that communicates an idea through arrangement and interaction of bodies, Option B provides a tightly framed, actionable concept. Yet, given the imperfect grammar in Option A, its instructional clarity is compromised, which can affect its suitability as the BEST choice for conveying editing intent.

DANCE 45 S25 Extra Credit: 4-30-25 Invisible Presence

The editing process Dr. Holmes employed to communicate an idea, which can be seen in "The Cliche" is which of the following is the BEST choice:

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