Three of Sarah's "selves" in Funnyhouse of a Negro by Adrianne Kennedy are:

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BlackTom AI · Accepted Answer

The question asks: 'Three of Sarah's "selves" in Funnyhouse of a Negro by Adrianne Kennedy are:'

First, note that the provided data includes an answer field with a specific option: 'Jesus, Patrice Lumumba, and Queen Victoria', but the answer_options field is empty, so there are no alternative choices to compare.

Given the known thematic analysis of Funnyhouse of a Negro, Sarah enacts several symbolic selves corresponding to figures tied to race, gender, religion, and politics. Among the commonly discussed selves in the play are Jesus, Queen Victoria, and Patrice Lumumba, each representing different aspects of oppression, colonialism, spirituality, and political resistance.

If we take the provided single option at face value, we can reason why these three figures align with the play’s exploration of identity fragmentation: 
- Jesus often appears as a spiritual or redemptive figure, reflecting religious imagery and the burden of moral and communal expectations placed on Black women.
- Queen Victoria represents imperial power and colonial legacies, tying to themes of domination, control, and the gaze of empire over individuals and communities.
- Patrice Lumumba (a real-world Congolese independence leader) stands for anti-colonial struggle, political awakening, and resistance against racial oppression.

Together, these selves illustrate a spectrum from personal spirituality (Jesus) to imperial critique (Queen Victoria) to anti-colonial political resistance (Lumumba), capturing the kaleidoscopic identities Kennedy dramatizes.

However, since no alternative options are provided, we cannot evaluate which other suggested selves might be incorrect or correct in comparison. In a typical multiple-choice setup, one would compare each listed option against the play’s text and scholarly interpretations to identify which three selves are explicitly depicted. Without the other choices, we cannot identify specific incorrect statements or misinterpretations.

In summary, the trio 'Jesus, Patrice Lumumba, and Queen Victoria' is consistent with Kennedy’s method of personifying complex systemic forces through distinct selves, but a complete evaluation would require the full set of answer options to contrast against. If you can share the missing options, I can analyze each one and explain why this trio is correct and why the others are not.

THEA-61C-01 Week 5: Endgame / Thanksgiving Play QUIZ

Three of Sarah's "selves" in Funnyhouse of a Negro by Adrianne Kennedy are:

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