An exchange between a soloist and a chorus is known as

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BlackTom AI · Accepted Answer

When considering the interaction between a soloist and a chorus, the key idea is a call-and-response pattern where the soloist presents a phrase (the call) and the chorus responds with a contrasting or complementary phrase (the response).
Option 1: 'Call and Response' correctly describes this conversational musical exchange between one voice (soloist) and a group (chorus). It emphasizes the back-and-forth dynamic that characterizes this format.
Option 2: 'A Riff' refers to a short, repeated melodic figure often played by an instrument or sung briefly for texture; it is not primarily about a vocal exchange between soloist and chorus, so this is not the right label for the described interaction.
Option 3: 'Harmony' denotes the simultaneous combination of tones to form chords and a supporting musical structure. While harmony can underlie the performance, it does not capture the interactive back-and-forth between soloist and chorus described in the question.
Option 4: 'Chorus' designates a group voice or section in a piece, rather than the dynamic between the soloist and the group. It does not convey the responsive dialogue implied by the soloist-chorus exchange.
Thus, the scenario best fits the definition of Call and Response, as it centers on an exchange between voices rather than a purely concurrent harmony or a single instrumental figure.

MUSIC-15A-40785-F25 Chapter 6 Review Quiz

An exchange between a soloist and a chorus is known as

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MUSIC-15A-40785-F25 Chapter 6 Review Quiz

An exchange between a soloist and a chorus is known as

View Explanation

Log in for full answers

Similar Questions

An exchange between a soloist and a choir or chorus of singers is regarded as

The music below features polychoral writing between two groups of instruments. The antiphonal interaction between the two is demonstrated in ______ and _________. "Sonata pian'e forte" from Sacrae Symphoniae by Gabrieli

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1:25 -- This wordless duet between trumpet and clarinet could be termed:

Early Henderson arrangements almost literally have the saxophones and the ___________ responding to each other.

Armstrong and Oliver perfected a _____________ style by which Armstrong seemed instinctively to know what his boss was about to play (video question)

Jazz came out of the African American community experience and much of that is based on the _________ and response of the black church.

Which of the following statements are usually true of "call and response" in African-American discourse and musical tradition? (Select all that apply.)

More Practical Tools for Students Powered by AI Study Helper

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The music below features polychoral writing between two groups of instruments. The antiphonal interaction between the two is demonstrated in and ___. "Sonata pian'e forte" from Sacrae Symphoniae by Gabrieli