Armstrong and Oliver perfected a _____________ style by which Armstrong seemed instinctively to know what his boss was about to play (video question)

Question

Armstrong and Oliver perfected a _____________ style by which Armstrong seemed instinctively to know what his boss was about to play (video question)

BlackTom AI · Accepted Answer

The prompt presents a fill-in-the-blank about a performance style attributed to Armstrong and Oliver, described as something Armstrong seemed instinctively to know about what his boss was going to play.
First, consider what term would capture a communicative musical interaction where one musician cues or responds to another, often in a way that feels almost anticipatory or conversational. Such a dynamic typically relies on listening closely, internalizing the leader’s phrasing, timing, and musical ideas, and then replying in a way that aligns with, or even anticipates, what the leader is about to introduce.
Next, reflect on common descriptors in jazz and performance contexts for this kind of interplay. The phrase that best encapsulates a responsive back-and-forth, where the follower seems to ‘read’ the leader’s mind and mirror or complete the leader’s musical statements, is often called a call-and-response relationship. This label highlights the bidirectional communication: one side initiates with a musical idea (the call) and the other responds with a counterpart that fits or extends that idea (the response).
If you imagine the scenario: the boss cues a musical phrase or motif, and Armstrong appears to anticipate that cue and respond with a corresponding figure or improvisational idea, creating a seamless dialogue. Such a setup is characteristic of a call-and-response interaction, where communication is built through listening, timing, and shared musical vocabulary.
Since there are no provided options to evaluate here, this interpretation centers on matching the described interaction to the conventional term that most directly conveys a dialogic, responsive musical exchange between leader and soloist.
In summary, the concept described involves a dynamic where one musician’s lead is met with an immediate, fitting reply from another, forming a conversational musical exchange typical of a call-and-response framework.

History of Jazz Exam #1

Armstrong and Oliver perfected a _____________ style by which Armstrong seemed instinctively to know what his boss was about to play (video question)

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History of Jazz Exam #1

Armstrong and Oliver perfected a _____________ style by which Armstrong seemed instinctively to know what his boss was about to play (video question)

View Explanation

Log in for full answers

Similar Questions

An exchange between a soloist and a choir or chorus of singers is regarded as

An exchange between a soloist and a chorus is known as

The music below features polychoral writing between two groups of instruments. The antiphonal interaction between the two is demonstrated in ______ and _________. "Sonata pian'e forte" from Sacrae Symphoniae by Gabrieli

2:02 -- the first part of this phrase could be said to be an advanced form of:

1:25 -- This wordless duet between trumpet and clarinet could be termed:

Early Henderson arrangements almost literally have the saxophones and the ___________ responding to each other.

Jazz came out of the African American community experience and much of that is based on the _________ and response of the black church.

Which of the following statements are usually true of "call and response" in African-American discourse and musical tradition? (Select all that apply.)

More Practical Tools for Students Powered by AI Study Helper

Making Your Study Simpler

The music below features polychoral writing between two groups of instruments. The antiphonal interaction between the two is demonstrated in and ___. "Sonata pian'e forte" from Sacrae Symphoniae by Gabrieli