The advocates of “the death of the author” meant that:

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Question restatement: The advocates of “the death of the author” meant that:

Option 1: a work only achieves fame after an author dies. This is not aligned with the concept. The phrase refers to how a text should be interpreted, not to its fame or afterlife; succession of fame is not the central claim, so this option is inaccurate.

Option 2: authors who prescribe meaning should be put down. This is an extreme reaction and not a precise description of the idea. The death-of-the-author argument critiques relying on authorial intention, not advocates violence or censorship of authors, making this option misleading and incorrect.

Option 3: a literary work should be written as if by a higher power. This implies a particular authorial voice or intention beyond the text, which contradicts the movement’s aim to decenter authorial authority and focus on the text itself, so this option is incorrect.

Option 4: one should not appeal to the author in matters of literary interpretation. This statement captures the core claim of the death-of-the-author approach: interpret the work based on the text itself, not the author’s intentions, background, or biographical context. It emphasizes treating the text independently of authorial meaning, which is the fundamental idea behind the concept, so this option is the most accurate.

In examining the choices, the first three choices misrepresent the emphasis of the death-of-the-author argument by focusing on fame, aggression toward authors, or authorial voice, rather than on the central methodological point about interpretation independent of authorial intention. The fourth option aligns with the theoretical position that interpretation should not rely on what the author meant or intended, but on the text and its internal significances.

2025_S1C_PHIL1011 Week 11 - Third Beauty Quiz

The advocates of “the death of the author” meant that:

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