To create music for Blood on the Fields, Marsalis drew from all the following African American traditions except:

Question

To create music for Blood on the Fields, Marsalis drew from all the following African American traditions except:

BlackTom AI · Accepted Answer

Revisiting the question, we’re asked which African American traditions Marsalis drew from when creating Blood on the Fields, with one option that does not fit.
Option 1: New Orleans jazz. This tradition is deeply tied to the Marsalis family and to the broader history of jazz in New Orleans, which heavily informs his work and the musical language of many jazz narratives. It is reasonable to consider it as a source.
Option 2: Field hollers. These early African American vocal expressions have influenced later African American music stylistically and historically, making them a plausible influence for artists exploring roots and heritage.
Option 3: Spirituals. Spirituals are foundational to African American musical history and have influenced many jazz composers in theme, mood, and melodic direction, so it’s consistent to see them as an influence.
Option 4: Rap. While rap is a major contemporary African American musical form, it represents a different era and set of cultural contexts than the traditional roots referenced by Blood on the Fields. It is less aligned with the historical practices and genres Marsalis is drawing from for this work, which centers on earlier African American musical traditions rather than hip-hop language and performance styles.
In summary, the first three options align with long-standing African American musical lineages that inform works like Blood on the Fields, whereas rap sits outside those traditional roots and is the outlier in this context.

202570_MUS20_74020 Ch. 13 Quiz

To create music for Blood on the Fields, Marsalis drew from all the following African American traditions except:

View Explanation

Log in for full answers

Similar Questions

A "race record" refers to _________________________.

James Reese Europe created the first organization for black musicians in NYC known as the______________

Scott Joplin helped inspire a movement among historically conscious black musicians to preserve their musical heritage.

African slaves in North America were only permitted to practice their musical heritage in

Which is an example of new material resources likely to be made available to African-American musicians at the close of the 19th century?

In a consumer society, many adults channel creativity into buying things

Economic stress and unpredictable times have resulted in a booming industry for self-help products

People born without creativity never can develop it

More Practical Tools for Students Powered by AI Study Helper

Homework AI Solver

Stylized AI Paper Writer

Plagiarism Checker Assistant

Citation AI Academic Writing Tool

In-Class Translation Assistant

AI Note Generator

AI Quiz Answers

Past Exam Questions from University Test Bank

Smart Practice Assistant

Adaptive Practice

Making Your Study Simpler